DATABASE BLOG PROJECT

Semester Assignment
San Jose State University (SJSU)
LIBR 265(10) Wrenn-Estes /
Fall Semester / December 14th, 2011
Bret Fearrien

Concept -- An Artistic Space for Careful Examination of YA Books and Resources --

Site Equation = [Canvass + Neoteric + Codex] = [Discussion + Modern + Books]

Mantra ="Hark! The Herald Archives Sing! Glory to Some Bounded Bling!"


Personal Likeability Ratings:
McAwesome = Excellent
Above Board = Good
So/So = Fair
Weak Sauce = Poor

Showing posts with label romance. Show all posts
Showing posts with label romance. Show all posts

Wednesday, December 14, 2011

(#50) / Pride and Prejudice / by Jane Austen / (Book)


Opening

Bibliographic Information:
Pride and Prejudice / by Jane Austen
ISBN-10: 0-486-28473-5 / Dover Publications  
p. 262 / $2.00 (Retail)
1813 (Original) / 1995 (Reprint)

Body of Content 

Summary: The novel Pride and Prejudice centers around the courtships and marriages of the Bennett sisters – numbering five in total – Jane, Elizabeth, Mary, Catherine, and Lydia.  Elizabeth Bennett represents the chief protagonist.  The novel starts with a bachelor – Mr. Bingley – looking for a partner to marry – visiting various social events.  His good friend, Mr. Darcy accompanies him – but Elizabeth immediately forms an ill disregard for the friend.  She is prejudiced against him.  But circumstances cause Elizabeth to visit his household attending to another friend who is sick.  Mr. Darcy misperceives her intentions.  The Bennett parents worry about all of their daughters’ futures – as a married life to a wealthy gentlemen is the chief aim of many British females at the time – as a necessary means to secure their future.  Another man, Mr. Collins asks for the hand of Elizabeth – but surprisingly, she declines his offer of marriage.  If Elizabeth does not marry Mr. Collins, then who will she marry?       

Critique: [Spoiler Alert] Novels are based upon building tension to “the climax” of the novel – the zenith of the story’s actions – before the story produces “falling action” to the novel’s conclusion.  But before the climax, it is not uncommon for multiple pivot points to stand as major markers within the story, which help build the tension – serving to complicate and/or resolve narrative issues up to that point.

One of these early pivot points occurs in the form of a letter – or more directly, upon Elizabeth reading a letter written to her by Mr. Darcy.  In the earlier parts of the novel, she had held a prejudice against him for various reasons – causing her to hold a resentment and cautionary attitude towards him.  After his role in breaking up her sister’s engagement, the prejudice only hardened.  Then, the letter came (p. 133).  In the letter, Mr. Darcy explains his actions – how he actually protected Elizabeth’s sister and the Bennett family from a playboy of a prodigal – from Mr. Bingley. 

Elizabeth’s thoughts and attitudes towards Mr. Darcy soften after reading that letter – and the letter itself stands as an early pivot point – which redirects the rest of the novel – towards a conclusion not possible without the inclusion of the handwritten correspondence.

Teaser: “Love is afoot – love is amiss – pray tell of this love!”  

Information about the Author: Jane Austen lived a few centuries removed from modern times – born in 1775 and dying at the age of 41 in 1817.  A famous author of British descent, Austen wrote a handful of novels including the aforementioned Pride and Prejudice, along with Emma, Mansfield Park, and Sense and Sensibility (Wikipedia, 2011).  Her works continue to spawn modern redactions in both literature and cinema including the satirical book Pride and Prejudice and Zombies and the recent film The Jane Austen Book Club.  Actual adaptions of her works are still popular – particularly Pride and Prejudice.  

Her themes often are comedic in nature – center on the perspectives of women – set against middle-class or affluent classes within English society – and deal with relationships, marriage, 
and/or courtship (Wikipedia, 2011).

Supplemental Material

Genre: Drama / Romance / Humor

Curriculum Ties: History – Victorian era, social customs, English history

Booktalking Ideas: 1) How does courtship compare to modern dating? 2) “Have you ever had to tread over a sibling while pursuing a shared love interest?”  

Reading Level: Women are more interested in the title – with readership including ages 15-18.

Challenge Issues and Defense: Some adult situations and content – overall, though, a pretty safe title.

Personal Reasons for Inclusion: I actually like this book – which is a rare circumstance, given my chromosomal predispositions.  

Last Thoughts

References:
Wikipedia. (2011). Jane Austen [Webpage]. Retrieved from
http://en.wikipedia.org/wiki/Jane_Austen

Listening to (Music):
Artist – Beethoven / Album – “Symphony #9” 

(#49) / Girl Stories / by Lauren R. Weinstein / (Book)


Opening

Bibliographic Information:
Girl Stories / by Lauren R. Weinstein
ISBN-10: 0805078630 / Henry Holt and Company  
p. 240 / $7.18 (Amazon)
2006

Body of Content

Summary: The comic book is a compilation of individual comic strips from writer Lauren Weinstein.  The vast majority of the book contains comic narratives – short humor stories in comic strip form – that might stretch from four to fifteen pages worth of information each.  The artistic style is rather simplistic – with the human faces bearing little difference between people.  The style of the comics, thus, contains a sketched, draft intentionality by the author.  The comics are in color – but the shading and tonality of the hues differs from one story to the next.   Overall, the book offers over 35 comic stories – stretching over 240 pages.  The basis of the comic series is the adventures experienced by the self-portrayed author at a younger age – as she relives 8th grade and high school experiences – centering on teen issues like relationships, school work, interactions with her parents, and general experiences endured by teenagers. 

Critique: While some comics rely on puns or physical comedy, Girl Stories fully embraces the awkwardness of the teenage years in a person’s life.  This is painfully evident as the author discusses relationships with boys.  In one comic, the author writes about an awkward breakup experience – deciding to end the relationship – after returning from a visit to Washington D.C.:

            Lauren: “Well, I got a present for you, too!”
            
            Boyfriend: “A bag of dirt!?”
           
            Lauren: “Yeah, like soil from our nation’s capital!”
            
            Boyfriend: “Oh.”
           
            Lauren: “Um, I think we should just be friends.”

Boyfriend: [turning as he leaves, says] “I can’t believe you gave me a bag of dirt and then broke up with me!”  (pp. 167-168)

From covering up hickey marks after a “math study session” to enduring secret rashes caused by belly-button piercings, Lauren goes through the tumultuous teen years – trying not to die of embarrassment.  In another comic, frustrated by lack of success with boys, Lauren creates a home-made boyfriend from various household items:

            Robot Boyfriend: “Lauren, I am sexually attracted to you, may we kiss?”

            Lauren: “Yes, Robot Boyfriend, yes!”   … [Wait] … “STOP!”

            Robot Boyfriend: “What is wrong? Do you need space?”

Lauren: “No! I just don’t want to make out with someone whose tongue I made with a remote control!”   (pp. 222-224)

Lauren stumbles through the awkwardness of life and relationships.  Her teen audience can likely sympathize with her ordeals – given similar experiences that likely reside in their own personal backgrounds.

Teaser: Life is strange – and these stories are full of both life and strangeness.

Information about the Author: The 36-year-old cartoonist hails from Brookline, Massachusetts.  Educationally, she graduated from Washington University (St. Louis) before settling in New York City around a decade ago.  Her comic strips first appeared online – through gURL.com, along with Seattle Stranger.  Weinstein pick up a Xeric award – for her comic strip Inside Vineyland – an award given to non-mainstream comic artists.  Her next project was the aforementioned Girl Stories.  Over the last five years, her work has also fared in compilation books – The Best American Comics (2007 and 2010 editions).  In her personal life, Weinstein also dabbles in a rock band – as the lead singer to Flaming Fire – a band that has released three albums over the last decade (Wikipedia, 2011). 

Supplemental Material

Genre: Comics / Humor / Drama / Romance

Curriculum Ties: Art Class – drawing techniques, narrative writing

Booktalking Ideas: 1) If you think Weinstein’s humor is a little bit strange, her music is beyond description! 2) Relive the awkwardness of various romantic first-times.

Reading Level: The book probably has more of an interest from females – given the angle of the comics.  Reading level extends to all high school grades – i.e. ages 15-18.

Challenge Issues and Defense: The comic has some suggestive humor, along with some romantic/sexual situations.  The book is not horribly crass – but librarians should be aware that it is not squeaky clean.

Personal Reasons for Inclusion: I wanted a humor genre source from a female perspective (for the sake of balance).

Last Thoughts

References:
Wikipedia. (2011). Lauren Weinstein [Webpage]. Retrieved from http://en.wikipedia.org/
wiki/Lauren_Weinstein_%28comic_book_artist%29

Listening to (Music):
Artist – Joy Williams / Album – “Genesis”  

Tuesday, December 13, 2011

(#46) / The Professor’s Daughter / (story) by Joann Sfar & (artistic design) by Emmanuel Guibert & (translated) by Alexis Siegel / (Book)


Opening

Bibliographic Information:
The Professor’s Daughter / (artistic design) by Emmanuel Guibert
ISBN-13: 978-1-59643-130-0 / First Second
p. 80/ $16.29 (Amazon)
2007

Body of Content

Summary: The Professor’s Daughter is a graphic novel that tells an imaginative story –of a professor’s daughter who is star-crossed with one of her father’s archaeological finds – Immotep IV – a mummified Pharaoh of Egypt.  Set in late 19th century London, the action unfolds as the professor is away from London – while his daughter Lillian and the Mummy fall head-over-heels in love with each other.  In a series of events, Lillian mistakenly poisons two men – fearing that they would separate her from her love.  The police come to arrest her, and the Mummy must come up with a plan to save her.  Supporting characters include the Queen of England, Lillian’s father, and even the Mummy’s father – Immotep V.

Critique: There is a reoccurring theme in YA literature these days – of female characters falling in love with monsters – or the undead – or some combination of both.  Stephanie Meyer wrote a monster love triangle – in her Twilight series.  Meyer placed a young teen (Bella) between one sparkly vampire and one ferocious werewolf.  A similar treatment occurs in Tantalize – with a vampire cook and werewolf hybrid trying to keep the love and attention of the female protagonist.

In The Professor’s Daughter, the newest addition to the reoccurring theme is a dead mummy.  This novel is a little more self-aware than the aforementioned titles – and overall, the graphic novel fits in the genre of humor (along with a few other genre labels).

The lure of such characterizations is complicated.  At some level, by placing the love interest as a social outcast – as a monster – as someone not fully understood – as off-limits, etc. – the writers appeal to the feelings felt by teenage girls.  In some cases, the teenage girl’s parents do not approve of her love interest – seeing the boyfriend as a rebel, a loser, a misfit, or some combination of lackluster quality.  But in the eyes of the teenager, they believe they have found love, even if others in their life stand as obstacles to her love.

This graphic novel is fully aware of this dynamic – and on repeated occasions, it makes light of the ridiculousness of having a young female feeling hot-and-bothered for a dead pharaoh.  But at the core of the story, obstacles impede the would-be-lovers.  The graphic novel is aware of this characterization in literature – and some of the funnier moments unravel at the expense of the metaphor.      

Teaser: Caught up in a murder case, a young girl faces prison – while her love – a mummy – looks to rescue her into his loving arms.

Information about the Author: Emmanuel Guibert specializes in graphic novels – most notable the aforementioned The Professor’s Daughter, along with a series called Sardine in Outer Space.  A more recent project, Guibert follows the story of a reporter in The Photographer – with the titled protagionist following a doctor’s mission in Afghanistan during the 1980s.  Guibert lives in France – in the capital city with his wife and daughter (First Second, 2011). 

Supplemental Material

Genre: Crime Drama / Romance /Graphic Novel / Humor

Curriculum Ties: History – England, Egypt, archaeology

Booktalking Ideas: 1) What are some of the unusual love interests in literature? 2) “How many mummy puns can you think of in two minutes?”  

Reading Level: The reading level is aimed at teens – of high-school age – (15-18).  Interest level could drop to ages 12+ given that 6th graders study Egyptian history within their social studies curriculum.

Challenge Issues and Defense: There is one brief scene of partial male (mummified) nudity. There are some scenes of violence – including gunfire.  Serious challenges are unlikely to arise.   

Personal Reasons for Inclusion: The title of the book intrigued me.  After reading it, I loved the ridiculousness of the premise and subsequent plot.

Last Thoughts

References:
First Second. (2011). Guibert [Webpage]. Retrieved from http://www.firstsecondbooks.com/
guibert.html

Listening to (Music):
Artist – Hans Zimmer & Klaus Badelt / Album – “Pirates of the Caribbean: Original Score”