DATABASE BLOG PROJECT

Semester Assignment
San Jose State University (SJSU)
LIBR 265(10) Wrenn-Estes /
Fall Semester / December 14th, 2011
Bret Fearrien

Concept -- An Artistic Space for Careful Examination of YA Books and Resources --

Site Equation = [Canvass + Neoteric + Codex] = [Discussion + Modern + Books]

Mantra ="Hark! The Herald Archives Sing! Glory to Some Bounded Bling!"


Personal Likeability Ratings:
McAwesome = Excellent
Above Board = Good
So/So = Fair
Weak Sauce = Poor

Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts

Monday, November 28, 2011

(#19) / Dark and Stormy Rides Again: The Best (?) from the Bulwer-Lytton Fiction Contest / (compiled) by Scott Rice / (Book)


Opening

Bibliographic Information: 
Dark and Stormy Rides Again: The Best (?) from the Bulwer-Lytton Fiction Contest /
(compiled) by Scott Rice
ISBN-13: 978-0140254907/ Publisher / Penguin (Non-Classics)
122 p. / $8.95 (Half.com)
1996

Body of Content

Summary: The creative writing contest is an annual competition, but only a handful of (annual) compilation works appear in print.  This volume received publication in 1996 and represents the fifth inclusion to the print canon (Amazon, 2011).  The premise of the contest revolves around writers attempting to write (on purpose) the worst opening sentence to an imaginary novel.  The book is broken into a variety of sub-categories – with dozens of “winners” included in each category.  The sentences vary in length – some of which look more like an opening paragraph.  The aforementioned categories include the labels “Purple Prose” (intended elegance) – “Fabio Had Everything Marissa Had Ever Dreamed of in a Man” (romance) – and “As Warp Speed Rattled the Bridge” (science fiction) (Rice, 1996).  The book makes fun of the British author Bulwer-Lytton, noting that he contained “that rare genius who could extrude instant clichés – expressions immediately stale (Rice, 1996, p. 1).

Critique: The book contains one of the cleverest premises for a comedy work – as intended horribleness is the goal.  Many of the sentences are phenomenal – proving that it takes skill to write such poor literary efforts.

For instance, the following entry flowed from the James Thielman,

“As Sonia entered the ballroom, her despair cascaded to the parquet like ionized salts in a faulty centrifuge, to steal from Tolstoy” (Rice, 1996, p. 9).

Like many attempts at poor beginnings, this example holds two central characteristics, 1) wild similes (“ … like ionized salts …”), along with 2) random inclusions of literary or historical allusions (“Tolstoy”) that are off-topic within the framework of the sentence.    

Many of the entries also have love and relationships as a backdrop, including the following entry from Mike Valcho:

“Allan, who throughout most of his forty years read only children’s stories, found that Mother Goose did not prepare him for his night with Helen who was illiterate, but worldly.” (Rice, 1996, p. 68)

Again, the random craft – of finding a manner to stitch a nursery rhyme author with a person’s casual first date – shows the type of humor offered by the compilation book – often unexpected in content, often humorous in affect. 

Given the literary nature of the book – as it uses, understands, and re-deploys key literary devices and vocabulary – the book could easily supplement a high-school level English class – as the teacher could ask students to find the example of “simile” within the entry – and offer students a chance to write their own version of a simile. Overall, the book is a gem.       

Teaser: “Want to read ‘the best’ of ‘the worst’ literature ever written?  Enjoy a contest like none other!”

Information about the Author: Scott Rice serves as editor for this compilation work.  Rice is a professor at San Jose State University – within the English department.  He teaches a multitude of courses – including courses on Satire, Freshman Composition, and Children’s Literature.  The professor holds a terminal degree in his field from the University of Arizona (SJSU, 2011).

Scott started the contest in 1982, and it has since continued as an annual contest.  The inspired title leads allusion to Edward George Bulwer-Lytton – who wrote the eternal words “It was a dark and stormy night …” – as the beginning to his novel Paul Clifford (Rice, 2011).  The contest deadline is flexible – but it officially (and probably purposefully) coincides with April 15th – tax day for Americans (Rice, 2011).

Supplemental Material

Genre: Humor

Curriculum Ties: English – composition, literature theory, genre, contest

Booktalking Ideas: 1) If you were to sit down and write the worst opening to a novel that you could imagine of – how would it compare to these entries? 2) What is the backdrop for the contest – why do the individual authors lampoon the allusions to the author Edward George Bulwer-Lytton.

Reading Level: A person must know the English rules to break the rules of English language – and as such, the older high school students could very well read this as a supplemental textbook in an English literature class. Best for ages 16-19.

Challenge Issues and Defense: The subject matter contains some sexual innuendos and some language.  The purpose of the content defuses the situation – somewhat.  The language and content is still within the confines of PG-13 and it should not have any problem residing in a high school library or a public library YA department.  

Personal Reasons for Inclusion: This is an absolutely humorous book – most entries produce at least a smile – several entries could function as a weight-loss, comical-inspired diet. This is a must-read for any high school student who dreams of one day majoring in English literature.  

Last Thoughts

References:
Amazon. (2011). Dark and Stormy Rides Again [Webpage]. Retrieved from
http://www.amazon.com/Dark-Stormy-Rides-Again-
Bulwer-Lytton/dp/0140254900/ref=sr_1_1?ie=UTF8&qid=1322544099&sr=8-1

Rice, Scott. (2011). The Bulwer-Lytton fiction contest [Webpage]. Retrieved from
            http://www.bulwer-lytton.com/

San Jose State University. (2011). English department faculty [Webpage]. Retrieved from
            http://www.sjsu.edu/faculty/scott.rice/faculty_Full.htm

Listening to (Music):
Artist – Remedy Drive / Album – “Daylight is Coming”  

Wednesday, November 23, 2011

(#9) / Juno / (written) by Diablo Cody / (Movie)


Opening

Bibliographic Information:
Juno / (written) by Diablo Cody
ASIN: B000YABYLA / 20th Century Fox
$6.49 (Amazon) / 96 minutes
Release date: 2007 / Rating: PG-13

Body of Content

Summary: The title character Juno (Ellen Page) lives with her dad and step-mother.  Taking place in Minnesota, Juno chronicles an unexpected love story that develops into an unplanned pregnancy, as Juno has sex with her best friend Paulie (Michael Cera).  Facing the decision to raise the child or abort the baby, Juno decides on a third option – that of adoption.  One of her girlfriends helps Juno place an ad – and soon enough, a suburban couple takes interest.  The couple is in their 30s but have unsuccessful tried to have children of their own.  The couple represent opposite personalities – with the Vanessa (Jennifer Garner) standing as a straight-laced, analytic person – and her husband Mark (Jason Bateman) comprising a more free spirit who enjoys writing music and watching old-school horror films.  But the decision to give up the child is not an easy one.  Juno must face the prospects of judgment from peers, heavy-handed advice from adults, and more than a few unexpected labor pains along with way.        

Critique: The film Juno succeeds on several levels – including a great ensemble cast, a hilarious comedy, and a well-acted, well-thought drama.  But a hidden strength resides in the vernacular of the film – as the dialogue and cultural allusions represent a realistic version of teen culture.   
The film represents physical props well – as the title character drinks Sunny-D and blueberry ICEEs.  Her room is the typical, clustered mess – complete with a nostalgic throwback – i.e. Hamburglar telephone.  The film even includes a common candied, high-school prank alluding to Tic-Tac boxes – as they overflow Paulie’s mailbox.   

The dialogue is intelligent, meaningful, but completely laced with pop cultural references.  At times, the dialogue feels like word and idiom entries from the website Urban Dictionary.  Characters within the story use phrases like “home skillet” and “pee stick”.  Elsewhere, Juno yells at her dog, “Quiet Banana. Hey shut your gob for a minute, okay?”.  Even minor characters like the convenience store clerk use teen-speak, “This is your third test today, Mama Bear.  Your eggo is preggo, no doubt about it!”  There is a certain rhythm to the dialogue, also.  Overall, the film represents conversations that real people could have – particular the scenes with multiple teenagers having lines of dialogue.   

Teaser: Juno is your typical, high-school girl.  Then, she gets pregnancy.  Is her next decision the typical response?    

Information about the Author: Diablo Cody is actually a pen name for the writer of Juno, as the screenwriter’s birth name is Brook Busey.  Cody came from a middle-class family and suburban upbringing, but she decided to quit from a copy editing job in marketing to become a stripper.  Later she decided to write about the experience in both blog and book form, including the latter titled work, Candy Girl: A Year in the Life of an Unlikely Stripper (Valby, 2007).

Cody wrote the screenplay for Juno; and since the film, she is also known for co-creating the Showtime series “The United States of Tara”.  Future movie projects include the possibilities of a film adaption of the Sweet Valley High book series and a remake of the horror classic Evil Dead (Wikipedia, 2011a).   

Supplemental Material

Genre: Comedy / Drama

Curriculum Ties: Sociology/Psychology – teen pregnancy, teen culture

Booktalking Ideas: 1) If you became pregnant, who would you tell first?  Would it be the same person that Juno told?  

Reading Level: Many teens would have interest in this film, given the emphasis on presenting a realistic version of teen culture – along with the lead protagonists (themselves) being teenagers.  The age-appropriateness could fall to grade 7 and up.    

Challenge Issues and Defense: The movie contains some language, some sexual content, and some adult themes.  The premise contains teen pregnancy and controversial issues like abortion and pro-life as backdrops.  The question becomes – at what age is this film appropriate? – And parents may have different takes on that point.  The PG-13 rating is a fair assessment of the content.  The best defense for the film is the wealth of critical acclaim – winning several awards – and appearing on multiple top ten lists by critics (Wikipedia, 2011b).  Also, although the film contains a controversial premise, the film has received positive support from both pro-life and pro-choice camps – and overall, it presents ambiguous statements regarding the issue (cf. Howell, 2008 / Freeman, 2008).

Personal Reasons for Inclusion: I originally saw the film because Jason Bateman plays a supporting 
role.  Since seeing “Inception”, I have also become a fan of Ellen Page.  Juno, in itself, is one of my favorite films within the comedy genre.

Last Thoughts

References:

Freeman, H (2008). A choice that films ignore [Article]. Retrieved from

http://www.guardian.co.uk/commentisfree/2008/jan/28/healthandwellbeing.film


Howell, P. (2008). Juno has a mind of her own [Article]. Retrieved from
http://www.thestar.com/entertainment/article/298588

Valby, K. (2007). Diablo Cody: From ex-stripper to A-lister [Article]. Retrieved from
http://www.ew.com/ew/article/0,,20157948,00.html

Wikipedia. (2011a). Diablo Cody [Webpage]. Retrieved from
http://en.wikipedia.org/wiki/Diablo_Cody

Wikipedia. (2011b). Juno [Webpage]. Retrieved from http://en.wikipedia.org/wiki/
Juno_%28film%29

Listening to (Music):
Artist – Audrey Assad/ Album – “The House You’re Building”