DATABASE BLOG PROJECT

Semester Assignment
San Jose State University (SJSU)
LIBR 265(10) Wrenn-Estes /
Fall Semester / December 14th, 2011
Bret Fearrien

Concept -- An Artistic Space for Careful Examination of YA Books and Resources --

Site Equation = [Canvass + Neoteric + Codex] = [Discussion + Modern + Books]

Mantra ="Hark! The Herald Archives Sing! Glory to Some Bounded Bling!"


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Showing posts with label coming-of-age. Show all posts
Showing posts with label coming-of-age. Show all posts

Saturday, November 26, 2011

(#18) / The Chosen / by Chaim Potok / (Book)


Opening

Bibliographic Information:
The Chosen / by Chaim Potok
ISBN-13: 978-0449911549 / Ballantine Books
p. 284 / $10.00 (Amazon)
1969

Body of Content

Summary: Reuven Malter and Danny Saunders meet on the baseball diamond, when Danny hits a line drive that shatters Reuven’s glasses – requiring a rush to the ER.  As the story unfolds, these two unlikely rivals in sports become closer friends.  But their Jewish cultures stand in the way, as Reuven is an Orthodox Jew and Danny is a Hasidic Jew.  The story unfolds, additionally, as a story of two fathers – Mr. David Malter and Rabbi Reb Saunders – and how they interact with their sons.  The constant themes of the story relate these themes – of religion, of family life, of modernity – all set against the backdrop of American life during the Second World War.  With both fathers have plans and desires for their respective son’s life, the novel sees the two teenagers grow as individuals – to a place that may or may not reflect the wishes of their fathers.   

Critique: The novel is intended for a teenage audience.  And it tells a very moving story – both from the perspective of two faiths trying to understand each other – and of two fathers trying to understand their sons.  Some of the scenes in the later portions of the book talk about theology and religion in a way that requires a fair amount of knowledge on the reader’s part – to completely understand the issues and dilemmas that face the characters.

There are a few scenes when Reuven interacts with his professors regarding various ancient texts. While the flow of the scene is apparent to the reader, the vocabulary and methodology employed by the author – though respective of realistic dialogue in such a situation – leaves the reader with only partial knowledge of the dialogue transactions.

Reuven struggles with his professor – at one point – answering the professor’s question by elaborating on textual criticism, redaction methodology, source comparison, etc. – which would make sense only if a person holds an education from a linguistic or theological background.  Reuven’s use of the “historical methodology” within his religion courses points out how the main protagonist struggles with trying to understand his role as a Jew living in modern times.  While this theme is reemphasized throughout the novel, without significant theological knowledge, the particulars to and the depth of Reuven’s struggles may escape the reader’s eye.       

Teaser: Set in the tension of 1940s Brooklyn, two unlikely rivals dare to become friends.

Information about the Author: Potok’s other works include a sequel to The Chosen – a book titled The Promise (1969).  Other prominent works include My Name is Asher Lev (1972), Davita’s Harp (1985), and The Tree of Here (1993).  Potok was himself born in Brooklyn, the setting of The Chosen.  His parents moved to America from Poland and raised their family in an Orthodox Jewish manner (Wikipedia, 2011).

From an early age, Potok desired to become a writer – submitting entries into magazines while still a teenager.  He eventually elected instead to pursue an English major at Yeshiva University.  After graduating with an esteemed summa cum laude for his bachelor’s degree, Potok continued his studies at the Jewish Theological Seminary of America – eventually becoming an army chaplain in South Korea after the military conflict there.  It was not until his late thirties that Potok sat down to write his first manuscript – now back in America as a professor.  The author died in the summer of 2002 – at the end of 73 – having also married – and raised three children (Wikipedia, 2011).   

Supplemental Material

Genre: Historical Fiction

Curriculum Ties: Sociology – religion, culture, Judaism, urbanization, wartime

Booktalking Ideas: 1) Have you ever met someone from a different culture or religion who you knew little about? 2) Why did the author of the book choose the Second World War as the backdrop to his story?

Reading Level: Best aimed at the lower levels of high school – ages (14-16)

Challenge Issues and Defense: The novel tackles faith issues and intra-religion topics within Judaism. I do not know of any challenges issued at the book – though some may contest Zionism as a past controversial issue (though not so much within recent decades).

Personal Reasons for Inclusion: I am a bit nostalgic – as I first read this story as a sophomore in high school – and later, it was a book that I assigned (as a teacher) to my ninth-grade students.   

Last Thoughts

References:
Wikipedia. (2011). Chaim Potok [Webpage]. Retrieved from
http://en.wikipedia.org/wiki/Chaim_Potok

Listening to (Music):
Artist – Michelle Tumes / Album – “Michelle Tumes (2006)”  

Thursday, November 24, 2011

(#12) / I Am Number Four / (directed) by D.J. Caruso / (Movie)


Opening

Bibliographic Information:
I Am Number Four / (directed) by D.J. Caruso /
(based upon the book) by Pittacus Lore (i.e. Jobie Hughes & James Frey)
ASIN: B004SBQAN8 / Touchstone Pictures & DreamWorks
$17.99 / 109 minutes
Release date: 2011 / Rating: PG-13

Body of Content 

Summary: John Smith (Alex Pettyfer) lives on a beach-front property with his guardian, Henri (Timothy Olyphant).  After an accident exposes his secret, John and Henri leave their lives behind in Florida and move to a small, forgotten part of Ohio – hoping their secret is not detected by their enemies.  But John Smith holds secret abilities and powers – powers that he is just beginning to understand and control.  When he starts falling in love with an artistic, popular, high-school girl by the name of Sarah Hart (Dianna Argon), John Smith might just bring danger to the both of them.  Set within the fantasy genre, I Am Number Four is the film adaption of the book by the same name.  As the first book in the series, the authors (and perhaps filmmakers) will have a chance to tell more of this narrative story. 

Critique: The film I Am Number Four is a good example of a fantasy film – that tries at several turns not to come across as a science fiction genre film.  To elaborate, a fantasy film often accepts the magical elements within it – not trying to explain the methodology behind them. 

[Spoiler Alert] John Smith has several, for lack of a better word, magical powers – such as generic powers like more-than-human strength and speed along with more particular powers like telekinesis and light projection from his hands (as a possible weapon).  The film never tries to explain the powers in the kind of language that science fiction offers – whether it is a heavy analysis of genetic, biological, or technological language.  The film does mention that John Smith is going through a transformation like “alien puberty” – which does a little to advance science fiction elements – but, overall, helps fill the assumptive mode of many fantasy stories.

While the bad guys (i.e. aliens) have advanced weaponry, the movie does not provide much detail into the operations or processes that govern them.

This is not so much a criticism of the film, as much as it is a critique.  The film version fits more within the fantasy genre.  Having not read the book, whereby the authors might have more space to devote such details into the narrative, I do not know the genre relationship between the film and the book.  With more books planned in the series, the genre may even morph – as science fiction and fantasy are two brothers of the same genre tree.  But overall, the film feels like a comic book adaptation – with a main character as a superhero – though even comics go both directions – fantasy (cf. Superman and X-Men) and science fiction (cf. Batman and Iron Man).    

Teaser: Born on another world and living as an exile on Earth, John Smith must face his fears and a group of aliens seeking his destruction.  

Information about the Author: D.J. Caruso is an American filmmaker – responsible for a host of small to moderate budget films.  Those titles include The Salton Sea, Taking Lives, Disturbia, and Eagle Eye.  The 46-year-old filmmaker also directed some episodes of TV programs – including The Shield, Robbery Homicide Division, Smallville, and Dark Angel (IMDB, 2011a).  Besides cinema and television, Caruso has directed a handful of music videos – including “Sometime around Midnight” by The Airborne Toxic Event (Wikipedia, 2011), which represents a popular and heavily stylistic and conceptual creation.
In his personal life, the director hails from Connecticut. Besides having Italian heritage, Caruso attended Pepperdine University.  Further, Caruso is married – and the couple has five children (Wikipedia, 2011).    

Supplemental Material

Genre: Fantasy / Action / Drama

Curriculum Ties: Sociology – xenophobia

Booktalking Ideas: 1) John Smith lives with a secret – trying to hide in plain sight.  But will his enemies find him out? 2) Sara Hart is falling for John Smith – but when she learns his secret – will that change everything?

Reading Level: With the standard PG-13 rating – along with the film portraying several high-school-aged characters – grades 7 and up would have interest in the film – with more interest in grades 10 through 12 given the age of the lead character and love interest.    

Challenge Issues and Defense: The film contains a run-of-the-mill PG-13 rating.  The profanity and drug references are typical for the rating.  The action sequences contain fantasy elements, but also have, what IMDB terms, “horror film” elements that “could be too gruesome for young children” (IMDB, 2011b).  Even without the language and the drug references, the film is still a PG-13 rating, which is probably the reason the filmmakers allowed those elements to stay in the final production.  The film does not contain much artistic merit – critically speaking.  Some challenges may enter the library based upon section placement – and like The Animatrix, librarians may want to move the title from children literature into YA or from YA into adult sections – as a possible resolution.      

Personal Reasons for Inclusion: I originally watched the movie to gain evidence/data – whether to read the book series.  I am still on the fence about that dilemma.  But the movie is somewhat entertaining and worth some commentary. 

 Last Thoughts

References:
Internet Movie Database (IMDB). (2011a). D.J. Caruso [Webpage]. Retrieved from
http://www.imdb.com/name/nm0142286/

Internet Movie Database (IMDB). (2011b). I Am Number Four [Webpage]. Retrieved from
            http://www.imdb.com/title/tt1464540/parentalguide#certification

Wikipedia. (2011). D. J. Caruso [Webpage]. Retrieved from http://en.wikipedia.org/
wiki/D._J._Caruso

Listening to (Music):
Artist – Switchfoot / Album – “The Legend of Chin”   

Wednesday, November 23, 2011

(#9) / Juno / (written) by Diablo Cody / (Movie)


Opening

Bibliographic Information:
Juno / (written) by Diablo Cody
ASIN: B000YABYLA / 20th Century Fox
$6.49 (Amazon) / 96 minutes
Release date: 2007 / Rating: PG-13

Body of Content

Summary: The title character Juno (Ellen Page) lives with her dad and step-mother.  Taking place in Minnesota, Juno chronicles an unexpected love story that develops into an unplanned pregnancy, as Juno has sex with her best friend Paulie (Michael Cera).  Facing the decision to raise the child or abort the baby, Juno decides on a third option – that of adoption.  One of her girlfriends helps Juno place an ad – and soon enough, a suburban couple takes interest.  The couple is in their 30s but have unsuccessful tried to have children of their own.  The couple represent opposite personalities – with the Vanessa (Jennifer Garner) standing as a straight-laced, analytic person – and her husband Mark (Jason Bateman) comprising a more free spirit who enjoys writing music and watching old-school horror films.  But the decision to give up the child is not an easy one.  Juno must face the prospects of judgment from peers, heavy-handed advice from adults, and more than a few unexpected labor pains along with way.        

Critique: The film Juno succeeds on several levels – including a great ensemble cast, a hilarious comedy, and a well-acted, well-thought drama.  But a hidden strength resides in the vernacular of the film – as the dialogue and cultural allusions represent a realistic version of teen culture.   
The film represents physical props well – as the title character drinks Sunny-D and blueberry ICEEs.  Her room is the typical, clustered mess – complete with a nostalgic throwback – i.e. Hamburglar telephone.  The film even includes a common candied, high-school prank alluding to Tic-Tac boxes – as they overflow Paulie’s mailbox.   

The dialogue is intelligent, meaningful, but completely laced with pop cultural references.  At times, the dialogue feels like word and idiom entries from the website Urban Dictionary.  Characters within the story use phrases like “home skillet” and “pee stick”.  Elsewhere, Juno yells at her dog, “Quiet Banana. Hey shut your gob for a minute, okay?”.  Even minor characters like the convenience store clerk use teen-speak, “This is your third test today, Mama Bear.  Your eggo is preggo, no doubt about it!”  There is a certain rhythm to the dialogue, also.  Overall, the film represents conversations that real people could have – particular the scenes with multiple teenagers having lines of dialogue.   

Teaser: Juno is your typical, high-school girl.  Then, she gets pregnancy.  Is her next decision the typical response?    

Information about the Author: Diablo Cody is actually a pen name for the writer of Juno, as the screenwriter’s birth name is Brook Busey.  Cody came from a middle-class family and suburban upbringing, but she decided to quit from a copy editing job in marketing to become a stripper.  Later she decided to write about the experience in both blog and book form, including the latter titled work, Candy Girl: A Year in the Life of an Unlikely Stripper (Valby, 2007).

Cody wrote the screenplay for Juno; and since the film, she is also known for co-creating the Showtime series “The United States of Tara”.  Future movie projects include the possibilities of a film adaption of the Sweet Valley High book series and a remake of the horror classic Evil Dead (Wikipedia, 2011a).   

Supplemental Material

Genre: Comedy / Drama

Curriculum Ties: Sociology/Psychology – teen pregnancy, teen culture

Booktalking Ideas: 1) If you became pregnant, who would you tell first?  Would it be the same person that Juno told?  

Reading Level: Many teens would have interest in this film, given the emphasis on presenting a realistic version of teen culture – along with the lead protagonists (themselves) being teenagers.  The age-appropriateness could fall to grade 7 and up.    

Challenge Issues and Defense: The movie contains some language, some sexual content, and some adult themes.  The premise contains teen pregnancy and controversial issues like abortion and pro-life as backdrops.  The question becomes – at what age is this film appropriate? – And parents may have different takes on that point.  The PG-13 rating is a fair assessment of the content.  The best defense for the film is the wealth of critical acclaim – winning several awards – and appearing on multiple top ten lists by critics (Wikipedia, 2011b).  Also, although the film contains a controversial premise, the film has received positive support from both pro-life and pro-choice camps – and overall, it presents ambiguous statements regarding the issue (cf. Howell, 2008 / Freeman, 2008).

Personal Reasons for Inclusion: I originally saw the film because Jason Bateman plays a supporting 
role.  Since seeing “Inception”, I have also become a fan of Ellen Page.  Juno, in itself, is one of my favorite films within the comedy genre.

Last Thoughts

References:

Freeman, H (2008). A choice that films ignore [Article]. Retrieved from

http://www.guardian.co.uk/commentisfree/2008/jan/28/healthandwellbeing.film


Howell, P. (2008). Juno has a mind of her own [Article]. Retrieved from
http://www.thestar.com/entertainment/article/298588

Valby, K. (2007). Diablo Cody: From ex-stripper to A-lister [Article]. Retrieved from
http://www.ew.com/ew/article/0,,20157948,00.html

Wikipedia. (2011a). Diablo Cody [Webpage]. Retrieved from
http://en.wikipedia.org/wiki/Diablo_Cody

Wikipedia. (2011b). Juno [Webpage]. Retrieved from http://en.wikipedia.org/wiki/
Juno_%28film%29

Listening to (Music):
Artist – Audrey Assad/ Album – “The House You’re Building”