DATABASE BLOG PROJECT

Semester Assignment
San Jose State University (SJSU)
LIBR 265(10) Wrenn-Estes /
Fall Semester / December 14th, 2011
Bret Fearrien

Concept -- An Artistic Space for Careful Examination of YA Books and Resources --

Site Equation = [Canvass + Neoteric + Codex] = [Discussion + Modern + Books]

Mantra ="Hark! The Herald Archives Sing! Glory to Some Bounded Bling!"


Personal Likeability Ratings:
McAwesome = Excellent
Above Board = Good
So/So = Fair
Weak Sauce = Poor

Saturday, November 26, 2011

(#18) / The Chosen / by Chaim Potok / (Book)


Opening

Bibliographic Information:
The Chosen / by Chaim Potok
ISBN-13: 978-0449911549 / Ballantine Books
p. 284 / $10.00 (Amazon)
1969

Body of Content

Summary: Reuven Malter and Danny Saunders meet on the baseball diamond, when Danny hits a line drive that shatters Reuven’s glasses – requiring a rush to the ER.  As the story unfolds, these two unlikely rivals in sports become closer friends.  But their Jewish cultures stand in the way, as Reuven is an Orthodox Jew and Danny is a Hasidic Jew.  The story unfolds, additionally, as a story of two fathers – Mr. David Malter and Rabbi Reb Saunders – and how they interact with their sons.  The constant themes of the story relate these themes – of religion, of family life, of modernity – all set against the backdrop of American life during the Second World War.  With both fathers have plans and desires for their respective son’s life, the novel sees the two teenagers grow as individuals – to a place that may or may not reflect the wishes of their fathers.   

Critique: The novel is intended for a teenage audience.  And it tells a very moving story – both from the perspective of two faiths trying to understand each other – and of two fathers trying to understand their sons.  Some of the scenes in the later portions of the book talk about theology and religion in a way that requires a fair amount of knowledge on the reader’s part – to completely understand the issues and dilemmas that face the characters.

There are a few scenes when Reuven interacts with his professors regarding various ancient texts. While the flow of the scene is apparent to the reader, the vocabulary and methodology employed by the author – though respective of realistic dialogue in such a situation – leaves the reader with only partial knowledge of the dialogue transactions.

Reuven struggles with his professor – at one point – answering the professor’s question by elaborating on textual criticism, redaction methodology, source comparison, etc. – which would make sense only if a person holds an education from a linguistic or theological background.  Reuven’s use of the “historical methodology” within his religion courses points out how the main protagonist struggles with trying to understand his role as a Jew living in modern times.  While this theme is reemphasized throughout the novel, without significant theological knowledge, the particulars to and the depth of Reuven’s struggles may escape the reader’s eye.       

Teaser: Set in the tension of 1940s Brooklyn, two unlikely rivals dare to become friends.

Information about the Author: Potok’s other works include a sequel to The Chosen – a book titled The Promise (1969).  Other prominent works include My Name is Asher Lev (1972), Davita’s Harp (1985), and The Tree of Here (1993).  Potok was himself born in Brooklyn, the setting of The Chosen.  His parents moved to America from Poland and raised their family in an Orthodox Jewish manner (Wikipedia, 2011).

From an early age, Potok desired to become a writer – submitting entries into magazines while still a teenager.  He eventually elected instead to pursue an English major at Yeshiva University.  After graduating with an esteemed summa cum laude for his bachelor’s degree, Potok continued his studies at the Jewish Theological Seminary of America – eventually becoming an army chaplain in South Korea after the military conflict there.  It was not until his late thirties that Potok sat down to write his first manuscript – now back in America as a professor.  The author died in the summer of 2002 – at the end of 73 – having also married – and raised three children (Wikipedia, 2011).   

Supplemental Material

Genre: Historical Fiction

Curriculum Ties: Sociology – religion, culture, Judaism, urbanization, wartime

Booktalking Ideas: 1) Have you ever met someone from a different culture or religion who you knew little about? 2) Why did the author of the book choose the Second World War as the backdrop to his story?

Reading Level: Best aimed at the lower levels of high school – ages (14-16)

Challenge Issues and Defense: The novel tackles faith issues and intra-religion topics within Judaism. I do not know of any challenges issued at the book – though some may contest Zionism as a past controversial issue (though not so much within recent decades).

Personal Reasons for Inclusion: I am a bit nostalgic – as I first read this story as a sophomore in high school – and later, it was a book that I assigned (as a teacher) to my ninth-grade students.   

Last Thoughts

References:
Wikipedia. (2011). Chaim Potok [Webpage]. Retrieved from
http://en.wikipedia.org/wiki/Chaim_Potok

Listening to (Music):
Artist – Michelle Tumes / Album – “Michelle Tumes (2006)”  

(#17) / A Long Way Gone: Memoirs of a Boy Solider / by Ishmael Beah / (Book)


Opening

Bibliographic Information:
A Long Way Gone: Memoirs of a Boy Solider / by Ishmael Beah
ISBN-13: 978-0374531263 / Farrar, Straus and Giroux
p. 229 / Price $9.60 (Amazon)
2007

Body of Content

Summary: The book “A Long Way Gone” tells the autobiographical tale of a young, 13-year-old boy whose life and country become saturated with turmoil and violence with the outbreak of civil war in the country of Sierra Leone.  After the destruction of his village, and the unknown fates of his family, Ishmael travels with a group of friends – trying to escape the violence that befalls his country.  But ultimately, Beah is captured by the governmental forces that are fighting the rebels – and they enlist him as a child soldier in the conflict.  Under the sway of political propaganda and the cloudy effect of powerful drugs (mostly cocaine and methamphetamines), Beah struggles through the story – committing violence and killings as a soldier.  The story is both commentary on violence and human rights – and ultimately, a struggle of a boy trying to reclaim his humanity.  

Critique: The story is gripping, heart-wrenching, and unapologetic in its description of wartime violence. [Spoiler Alert]  But, the story does not stop there.  Although the story provides undisturbed candor into the thoughts and actions of a boy soldier, Beah’s rescue from a horrific situation leaves the reader with a paradox – the insane evil resting within humanity – and the opposite – the innocent-laden goodness within humanity.  Beah literally commits dozens of murders within the wartime novel.  But, he finally flees to America – adopted by a journalist whom he had previous met at a UN conference – and now speaks on human right issues.

Beah’s portrayal (of an innocent child – turned into a killer – and finally able to recover his humanity) is a redemption story as much as it is a survival tale.  But the duality – the paradox of humanity – is a theme throughout the book.  And that paradox – of goodness and evilness – is a theme of a French theologian by the name of Blaise Pascal.  Beah’s story is one that explores the actions possible by human beings as a race – and as an individual person.  Like Pascal, there is both great concern and great hope for the human race within A Long Way Gone.  Beah’s story touches on many subjects throughout the book’s journey, but the philosophical issue of human ontology rests as a major theme – that turns a theoretical exercise into a first-hand account of war and redemption.              

Teaser: Ishmael’s homeland is devastated by a civil war.  Suddenly, he flees his home – only to find myself conscripted into an army – as a child soldier.  Can Ishmael hope to regain what he lost?  

Information about the Author: The author, now 31 years old, was born in Sierra Leone.  During a civil war in his home country, Beah fought as a child soldier.  After the war, an American journalist adopted him – and he now lives in New York City.  Currently, Beah works for the Human Rights Watch – within a committee specializing in issues related to children.  In his past work with the United Nations, he has met with notable leaders such as Bill Clinton and Nelson Mandela (Wikipedia, 2011).

Upon the release of the book, Beah spoke with Jon Stewart on Comedy Central’s The Daily Show.  The host reflects, “I’ve rarely read a book that’s made my heart hurt” (Daily Show, 2007).  The author responds to the fragileness of life and the ease of becoming a killer and the difficulty of returning to society (Daily Show, 2007).   

Supplemental Material

Genre: Autobiography / Historical Nonfiction / Adventure

Curriculum Ties: History – child soldiers, imperialism, African history, United Nations / Theology – ontology, paradox of humanity, Pascal, “Problem of Evil”   

Booktalking Ideas: 1) How could a child become a soldier in a national conflict? 2) Does Ishmael ever find other members of his family?  

Reading Level: This book is certainly towards the upper bracket of high school – but I contend that it is thoroughly a teenage-intended book – with a teenage protagonist, short length (229 pages), and simple writing style.  Thus, the book is best for ages 16-19.

Challenge Issues and Defense: The subject matter is raw and the premise is dark.  The best defense strategy looks at the intentions of the work – as it does not seek to glorify violence, but instead, expose it for the inhumanness that it represents.  The book also received numerous awards, including a number three mention in an article by Times for Top Ten nonfiction books of 2007 (Grossman, 2007).

Personal Reasons for Inclusion: “A Long Way Gone” is a powerful book in own right – a book that I had my high school juniors read for their European history class. 

Last Thoughts

References:
Grossman, L. (2007). Top ten nonfiction books [Webpage]. Retrieved from http://www.time.com
/time/specials/2007/article/0,28804,1686204_1686244_1691772,00.html

The Daily Show. (14 February, 2007). Ishmael Beah [Video]. Retrieved from
http://www.thedailyshow.com/watch/wed-february-14-2007/ishmael-beah

Wikipedia. (2011). Ishmael Beah [Webpage]. Retrieved from
http://en.wikipedia.org/wiki/Ishmael_Beah

Listening to (Music):
Artist – Sixpence None the Richer / Album – “Divine Discontent”   

(#16) / Album: “Speak Now” / by Taylor Swift / (Music)


Opening

Bibliographic Information:
Album: “Speak Now” / by Taylor Swift
ASIN: B003WTE886 / Big Machine Records
67 minutes / $11.88 (Amazon)
2010

Body of Content

Summary: The album includes the following titles, in their album order: “Mine”, “Sparks Fly”, “Back to December”, “Speak Now”, “Dear John”, “Mean”, “The Story of Us”, “Never Grow Up”, “Enchanted”, “Better Than Revenge”, “Innocent”, “Haunted”, “Lass Kiss”, and “Love Live”.  The album contains 14 tracks – all written by Taylor Swift herself – along with Nathan Chapman collaborating as producer (Amazon, 2011).

The album stays within the genre of Taylor’s earlier works – still containing her female, twang-inspired voice – with country music instrumentation written – with pop melodies and music theory applications.  As such, the album regularly receives airtime on both Top 40 pop radio stations as well as country-devoted channels.

The album is Taylor’s most successful yet – having sold one million units in its first week alone.  Overall, in less than a year after its release, “Speak Now” has sold over 5.5 million albums globally –with 3.7 million coming from her domestic market (Wikipedia, 2011a).

Critique: Swift’s style includes love and relationships as the lyrical premises to the majority of her songs.  These lyrics – half self-discovery, half self-inspired – feature love ballads that many teens find identification with and semblance towards.  Content-wise, the lyrics are not very deep or meaningful to larger contexts.  But for commercial purposes, Swift knows her audience.

Consider the lyrics to “Mine” – notably the second verse:


            “Do you remember we were sitting there by the water? /
            You put your arm around me for the first time /
            You made a rebel of a careless man’s careful daughter /
            You are the best thing that’s ever been mine” (Metrolyrics, 2011a)  

The lyrics are more about the promise and the hope of love – than they are about the resolution and fulfillment of love.  As teens are searching for love themselves – often finding relationships that are short-lived in duration – Swift writes songs that register with her teen fan base.

Or examine the lyrics to another song, “Sparks Fire”:

            “Drop everything now, meet me in the pouring rain /
            Kiss me on the sidewalk, take away the pain /
            ‘Cause I see sparks fly /
            Whenever you smile” (Metrolyrics, 2011b)

Like the aforementioned blog entry (cf. Owl City), Swift’s lyrics have a light-hearted approach to them.  “Sparks Fire” continues this trend – positive, hopeful lyrics.  But other titles on “Speak Now” – like the songs “Dear John” and “Better Than Rejection” contain a slightly more angled message – dealing with rejection and betrayal.

Teaser: Taylor Swift releases a new album – filled with 14 tracks – all embodying her soft, country sensibilities. 

Information about the Author: Swift is one of the young stars of country music – and one star who has great crossover reach into more contemporary pop markets.  Releasing her first album at the tender age of 16, Swift’s first album (self-titled) produced five tracks reaching the Top Ten.  Although industry professionals discovered her in Nashville – a city that her family relocated to – Swift is originally from Pennsylvania.  Her second album (“Fearless”) went platinum – with “Speak Now” following with similar numbers.

Taylor also co-starred in the ensemble comedy “Valetine’s Day (2010) – a film by Garry Marshall – with Swift additionally contributing two songs to the movie’s soundtrack (MOG, 2011).  The 21-year-old performer represents a very successful musical artist, as Swift recent ranks (according to Forbes) indicate: 2009 earnings of $18 million, with 2010 and 2011 earnings of $45 million for each year (Wikipedia, 2011b).

Supplemental Material

Genre: Country / Pop

Curriculum Ties: Sociology/Psychology – relationships, pop culture, music business culture  

Booktalking Ideas: 1) Which songs on the album refer to real-life relationships – experienced by Taylor Swift? 2) The album length is over 67 minutes – how does that compare to Taylor’s two other albums?

Reading Level: Mostly a female audience – broad age demographic – though mostly ages 15 through 19.  

Challenge Issues and Defense: Hard to cite reasons against inclusion.  If any arise, the album’s strength is the high-demand/popularity of the album – along with Swift winning several industry awards.

Personal Reasons for Inclusion: I wanted to include a different genre (i.e. country) to balance out my allowance of three musical entries.

Last Thoughts

References:
Amazon. (2011). Speak now [Webpage]. Retrieved from http://www.amazon.com/Speak-Now-
Taylor-Swift/dp/B003WTE886/ref=sr_1_1?ie=UTF8&qid=1322358773&sr=8-1

Metrolyrics. (2011a). Mine lyrics [Webpage]. Retrieved from http://www.metrolyrics.com/mine-
lyrics-taylor-swift.html

Metrolyrics. (2011b). Sparks fly [Webpage]. Retrieved from http://www.metrolyrics.com/sparks-fly-
lyrics-taylor-swift.html

MOG. (2011). Taylor  Swift: Bio [Webpage]. Retrieved from
https://mog.com/artists/bio/mn289042/taylor-swift

Wikipedia. (2011a). Speak now [Webpage]. Retrieved from http://en.wikipedia.org/wiki/Speak_Now

Wikipedia. (2011b). Taylor Swift [Webpage]. Retrieved from http://en.wikipedia.org/wiki/
Taylor_Swift

Listening to (Music):
Artist – Hillsong United / Album – “Aftermath”   

Friday, November 25, 2011

(#15) / Album: “All Things Bright and Beautiful” / by Owl City / (Music)


Opening

Bibliographic Information:
Album: “All Things Bright and Beautiful” / by Owl City
ASIN: B004T5IW0C / Universal Republic Records
44 minutes / $6.99 (Amazon)
2011

Body of Content

Summary: Owl City returns for their third release – featuring the following songs in title order: “The Real World”, “Deer In The Headlights”, “Angels”, “Dreams Don’t Turn To Dust”, “Honey And The Bee”, “Kamikaze”, “January 28, 1986”, “Galaxies”, “Hospital Flowers”, “Alligator Sky”, “The Yacht Club”, “Plant Life”, and “Alligator Sky (No Rap Version)” (MOG, 2011a).  “Alligator Sky” represents the album’s first release – with the song featuring guest rapper Shawn Chrystopher and the album debuting in June of this year.  Owl City’s signature sound is again evident – with a heavy, synth-orchestrated collection of songs – that include catchy melodies and clear, tenor vocals from Adam Young.       

Critique: Young’s lyrics have subtlety – often ironic or pun-driven aspects to them.  But overall, the words in his songs have a transparent and positive connotation to them.  Young does not write humorous lyrics as much as words that hit directly but light-heartedly.  The unique thing about the lyrics is that they fit seamlessly with the music.  Both instrumentation and poetic musings are light and optimistic in tone.  Often, love is reoccurring theme.

Consider the lyrics to the chorus of “The Honey And The Bee”:

            “If the green left the grass on the other side /
            I would make like a tree and leave /
            But if I reached for your hand, would your eyes get wide?
            Who knew the other side could be so green?” (Metrolyrics, 2011b)
Young can even turn a song involving a horrific car accident and erratic ambulance ride into a light-hearted occasion, as he does in the song “Hospital Flowers”:
            “A high-speed collision gave a new sense of sight to me /
            And now my vision can render the scene /
            A blurry image of wreckage and roadside debris /
            Happiness returned to me through a grave emergency” (Metrolyrics, 2011a)
Owl City is music for a certain mood – in that it might take a certain mood to like it – or even that it might create a certain mood in the listener after hearing to it.  The lyrics and subtle compositional craft are affective – almost nostalgic – for something many of us now miss or downright lack – innocence.  
Teaser: “The songwriter behind the hit ‘Fireflies’ has a new album out!”

Information about the Author: Owl City is the creation of Adam Young – a pop composer from Minnesota.  Young – while living in his parents’ basement, working a day job for Cola-Cola – started Owl City in 2007.  Young is a one-person band – literally – using digital recording and computer engineering techniques for both composition and performance venues.  Penning his songs mostly on keyboards, Young uploaded new compositions to MySpace – and actually developed a following – leading to a contract with Universal Republic (MOG, 2011b).  

On occasion, Owl City invites guest vocalists – including Matt Thiessen of Relient K fame and solo artist Breanne Duren.  Live performances now often feature a slightly larger set – with the tour musicians including a drummer, violinist, cellist, guitarist, and supplemental keyboard player (Wikipedia, 2011).   

Owl City’s has released one EP – “Of June” (2007) – along with three studio albums – “Maybe I’m Dreaming” (2008), “Ocean Eyes” (2009), and “All Things Bright and Beautiful” (2011) (Wikipedia, 2011).

In one interview, the singer-songwriter relates, “I’ve never really had anything I wanted to say, really, to anybody – but there has always been a mood that I wanted to convey via sound – which is optimism” (Owl City, 2011).  On his sudden rise to fame and opportunity, Young ponders, “Music became a fan of me [first]… and then I started to make it, and I loved it [back]” (Owl City, 2011).      

Supplemental Material

Genre: Pop / Electronica

Curriculum Ties: Music – multi-track recording techniques / History – excerpt from Reagan speech regarding the Challenger tragedy  

Booktalking Ideas: 1) How does a store retailer for Cola-Cola become a pop sensation? 2) Did you know that lead singer Matt Thiessen of Relient K and Adam Young of Owl City are good friends?   

Reading Level: Heavy interest on Owl City’s MySpace account helps shows the strong teen support behind this young songwriter’s craft.  The same holds true – looking at concert venues.  Owl City probably best interests teens in grades 7 through 10.  

Challenge Issues and Defense: The music is not squeaky clean – one song “Deer in the Headlights” references rejection and accusations of stalking – but overall, the songwriter writes clever but simply pop lyrics and melodies – doubtful that any parent or group would object to his content.  

Personal Reasons for Inclusion: I like the background story of Adam Young – and I have listened to each of his album – enjoying the most-recent release the most.   

Last Thoughts

References:
Metrolyrics. (2011a). Hospital flowers [Webpage]. Retrieved from
http://www.metrolyrics.com/hospital-flowers-lyrics-owl-city.html

Metrolyrics. (2011b). The honey and the bee lyrics [Webpage]. Retrieved from
            http://www.metrolyrics.com/the-honey-and-the-bee-lyrics-owl-city.html

MOG. (2011a). All things bright and beautiful [Webpage]. Retrieved from
            https://mog.com/albums/mn54612621/owl-city/all-things-bright-and-beautiful  

MOG. (2011b). Owl City [Webpage]. Retrieved from https://mog.com/artists/bio/mn597709/
owl-city

Owl City (2011). Owl City – Owl City road stories[Video]. Retrieved from
http://owlcitymusic.com/videos/view/4

Wikipedia. (2011). Owl City [Webpage]. Retrieved from http://en.wikipedia.org/wiki/Owl_City

Listening to (Music):
Artist – Ayleron  / Album – various songs/playlists